Andy Warhol Movies

Footage of John Giorno sleeping for five hours.

Screen test by Andy Warhol with Dennis Hopper as the subject.

A "film poem" that focuses on the Beat poetry scene of the late 1950s.

In 1969 Michel Auder began a series of video diaries that chronicled the art scene in downtown New York. In Chelsea Girls with Andy Warhol, Auder...

Screen Test of John Cale

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

Gerard Malanga has been brightly lit from the front, and has tilted his head slightly backwards, which makes his neck bulge; he holds still...

A rock band is on the brink of super-stardom. Until now they've juggled their music career with cocaine smuggling. The musicians and their manager...

Marcel Duchamp alternates between scrutinizing the camera, and smiling and nodding in response to what seems to be a large crowd of off-screen...

Follows John Cale, a Welsh musician and producer, who founded the legendary 60s and 70s NY rock band - the Velvet Underground, with Lou Reed. Cale...

Documentary on the use of color and black and white in contemporary arts through nine artists. A “Cinéastes de notre temps”...

Documentary on Andy Warhol's cinema of the sixties, made for Channel 4 in association with The Factory, MOMA and the Whitney Museum of Art and in...

This is the debut documentary made by Alexis Krasilovsky, author of "Women Behind The Camera" (Praeger, 1997). Shot on 16mm in 1971, the film covers...

Reel 24. Test #3

“Andy Warhol called Marie Menken and Willard Maas ‘the last of the great bohemians,’ and, in 1965, made Bitch, his real-life parody...

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute...

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds...

A playwright taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family.

Peter Hujar, shot in close-up, has his face lit from both sides, which creates the usual symmetrical pattern of shadows down the centre of his face.